Friday, August 27, 2010

GAGAPALOOZA: Thoughts on Lady Gaga after seeing her live



For the past month, I've been in the American mid-west and it was lovely. The event that tempted me over there was Lollapalooza,a festival with one of the best line-ups I had ever seen (on the Sunday, I saw Yeasayer, MGMT, The National and Arcade Fire one after the other. Yes, that good a line up). But one of the headliners caused much more of a hubbub than the other bands. Lady Gaga. Gaga played on the first night of the festival, to a crowd so huge, it's doubtful there was anybody left to go see the Strokes headline the other stage and her performance left me pondering her. So I figured, since Pop Justice are trying to mark this Bank Holiday has "Bad Romance Bank Holiday Monday" (or "Bad Romiday") then I figured now was as good a time as any to ponder my thoughts at other people.

Lady Gaga is one of the few recording artists working today who is pretty much unavoidable. She is well known for, well everything. There are just as many people who love her music while hating her image as there are who love her image whilst not caring for her music.

I seem to be in the minority of those who find some of her songs enjoyable, some not so much (though they are always catchy) and her outrageous behaviour to be sometimes righteous, sometimes misguided.

However, few can argue that Gaga hasn't positioned herself brilliantly within the musical sphere. She writes pure pop. In a time where being a "popstar" has only recently become an okay thing to be- not so long ago female singers had to wear t-shirts and be 'kooky' and 'alternative' in order to get a record deal (Nelly Furtardo might want to forget those days, but we shan't)- but she wears it, not like a badge of honour, but like a lobster hat, tilted disdainfully against the boring, as that is one thing she can never be described as.



And seeing her perform live at Lollapalooza certainly was not boring, oh no. There were outrageous sets, a writhing wall of dancers for seemingly every song and outfits that would, until now, have been considered architecturally impossible. Not to mention that with a live band, it became even clearer that Gaga simply does write good songs, and not just good singles, I enjoyed songs that I'd never heard before. And not just me, God knows it kept a very large crowd, very entertained.

However, where Lady Gaga's live show fell down, was when she wasn't performing her music, but was performing the act of being Lady Gaga. Seeing a lady with shoulder pads the size of guitar amps play a keyboard that is under the bonnet of a car, parked onstage is amazing (guitar amp shoulder pads are something she should consider actually. They would be awesome!) but hearing the same person wax lyrical about how she writes songs for people who are having a hard time in High School is not so good. With Lady Gaga's lyrics rarely straying away from the dancefloor or the bedroom, it was bizarre hearing who she aimed these songs at. Are kids seriously playing "Love Game" after a screaming row with their parents?
(Gaga's 2007 Lollapalooza Performance... Presumably featuring less talking, more nudity)

Which is not to say she should shut up. Her comments on the overturning of Proposition 8, were of course timely, and appropriate given Gaga's position as a Gay rights spokesperson of sorts. However, a six minute monologue on how one of her dancers "likes American girls... AND AMERICAN BOYS!" (delivered while she was draped around his waist like a fleshbelt) was too far, and sort of treated a person's sexuality as if it were a titillating and risqué fact. She also added that that was why she liked him. Whilst it does serve the expertly media-savvy purpose of having the audience think she's sleeping with him- which is seemingly all some people care about- it also means that his sexuality is announced as his defining feature.

It also took up lots of time that she could have spent playing "Telephone".

To summarise, Lady Gaga's shortcomings and complexities are the same as pop music as a whole's. Pop music is disposable. Songs are created, packaged with a video, consumed and then supposedly forgotten when a new song, or singer, or band comes along- hence why longevity is so hard to establish. At the same time, a good pop song can define a time in your life. Can become a bond between you and a friend. Can alter the way you feel just as much as higher brow music and art. Yet hearing Lady Gaga give pop music the long, shouty tributes that it arguably deserves between songs just seems pretentious. She was almost acting as if she was changing people's lives. But pop music can do that, and who's to say that she wasn't doing precisely that at Lollapalooza?

Friday, July 30, 2010

Rhythm and News





It's no secret that Cats in Paris are one of my favourite North-West bands. "Courtcase 2000", their 2008 debut, is a rare beast in that for all the unapologetically mental freakouts that burst out in songs like "Cold Products" and "(How To) Harvest Yourself", they never lose a sort of saccharine sweet pop charm- helped by the call and response vocals and delicious synthesisers.

In fact, all of these qualities are in effect in their new single "Chopchopchopchopchop" (except the call and response vocals, Sara has sadly left the band) so have a listen:

Chopchopchopchopchop Music Video: Cats in Paris from Cats In Paris on Vimeo.



But yes, the reason I'm mentioning them, is they're about to embark on a very fun sounding project. The Daily News!



Basically, Michael, Lorien and Ben intend to read the news headlines every day in August, throw them around their music boxy brains and then firing them back out into the world in song form. This is bound to be special. So you should definitely check it out, starting out on Sunday.

(I just hope it works out better than Bumblebeez disappointing 30/30 project)

Wednesday, July 28, 2010

Here come the Grums

Things that have changed since I last blogged:

We have a Conservative Prime Minister.
Journey have become massively popular.
People are excited to see The A-Team.

All the evidence is there, we are now in the 80s, so there's no better time to enjoy Grum's new single, "Through The Night", an exceptional piece of retro electro.



The video sums up JUST how 80s the song is- it's like Top Gun and Magnum PI finally acted on those feelings they've secretly been having the whole time- but that's only if you weren't already aware from the synth sounds and a Toto sample for the vocals.

Grum is a Leeds-based one man production maestro who, fortunately, is very aware of his nostalgic sound and milks it just the right amount. You can hear that classic Giorgio Moroder sound in the synth washes he puts on nearly all his work (listen to he remixes for more examples).

Not sure how this new single will appeal to the clubbers of today, it's almost too pleasant to dance to, but I know I'll be listening to it a lot.

Blog: Resurrection

Wednesday, April 14, 2010

It's FASHION!

Today is a momentous day, for I think it may well be the first and possibly only time where the writing of someone wearing a t-shirt they got free for taking part in a pub crawl is featured on the Manchester Fashion Network website!

Click here to read my interview with the lovely Travelling Band, whose album "Under The Pavement" is available on spotify and I would recommend it for sunny day listening.

Monday, April 12, 2010

Book your face...

The Indelicates (who i have mentioned more on this blog than any other band) have done a very fancy thing. They've released a social single! Essentially, you're free to stream the single as many times as you want, as long as you invite at least 5 facebook friends to listen to it as well. It's genius really, especially at a time when bands keep complaining that the internet is their enemy (DE Bill anyone?)

Here's a link so you can do your thing and listen to their new single "Savages". Needless to say it's very good, tuneful pop music with quotable lyrics that, were teenagers to embrace grumpy indie, would be plastered over a thousand MSN screen names and facebook updates. Superb.

EDIT!

The Indelicates album is now available for as much as you want to pay here

The album is, for my money, better than American Demo (also available at the Corporate Records site) with more folkier numbers but still the perfect amount of guts and bile in the lyrics. "Be Afraid Of Your Parents" is ALREADY a classic in my eyes (and ears).

Borgasmic

Hey everyone, I've been a bad blogger lately and I apologise. Here's some music things that I've been paying attention to lately.

Borland (myspace link and new-born twitter page link, you social network dah-lings) came in to Chorley FM (I should use this blog to promote my show more. Wednesdays 8 til 10) and did a very nice session on the Flat Iron Show.
These guys are fast becoming my favourite local band. Not just because they're gents or because interesting electronic music is quite rare in Manchester- most local bands opt for by the numbers dance- but because they are CRAZY productive. Last year they released their Octopop EP (available on iTunes, folks) which might just be my most-played EP since 'Sissy Hits' and then by December they had released House.

According to them, House has mistakes, technical faults and was written and recorded shockingly quickly, though part of me thinks that adds to the charm. When electronica mixes with live instrumentation their should be slight imperfections, it makes what could be faceless robotmusic feel warmer if you ask me.

And now apparently they have a trilogy of EPs AND an album due to come out soon. Not to mention an EP of live material. They have a constant stream of new material that veers from post-rock with glitch touches ("Sunday Sunshines" for examples), to full on synthesiser wailing ("Crystal Handshake") and it's all interesting. What's not to love? Let's hope where they lead, other artists in Manchester electro scene follow.